Many of my photographs are featured in a recently published book on informality by Global Fairness Initiative (GFI):
Informality Matters, by Global Fairness Initiative
GFI
New recommendation on LinkedIn from GFI
Anna's powerful photographs have allowed GFI to emphasize the very human and individual aspects of the issues we work on. Her images stand alone as works of art, but they also highlight the realities of people living in poverty around the world. Aside from her artistry, Anna is delightful to work with -- she's always responsive, offers great insights and suggestions, and catches things we've missed.
Global Fairness Initiative, September 12, 2012.
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Recommendation from GFI on LinkedIn
Anna Fawcus was both a wonderful person to work with and a simply great photographer. She had the unique ability to work within the culturally sensitive environment that our work takes place and still provide an intimacy and connection to the subject that was reflected in rich photos that told the story that we had never been able to accurately capture on film. Additionally, Anna brought a wealth of creative ideas and valuable perspectives to the work that she did so that along with images we also got rich insights, and approaches to our work and to the story that it embodied that we would not have gotten without her.
Global Fairness Initiative, June 13, 2011.
If you would like to see this recommendation, and others, please feel free to view my Linkedin profile
Global Fairness Initiative: The Voiceless Majority
I'm currently living in Guatemala, and working on an ongoing project with Global Fairness Initiative (GFI), an American non-profit organization, based in Washington DC. The project has been a documentary of the informal sector living in Guatemala and is called 'The Voiceless Majority'.
Here's a summary of what the project is all about:
In Central America, on average, 50% of the labor force works in the informal economy. In Nicaragua alone 7 out of 10 jobs are created in the informal economy and in Guatemala the rate is even higher. The informal economy in the region is characterized by vulnerability and diversity composed of wage employees, the self-employed including small-scale farmers, domestic workers, home-based workers, and micro-enterprises. Informal workers generally do not have access to government benefits such as social security or health care, are highly exposed to market fluctuations, and broadly lack physical and financial security.
Informality creates an alternative or shadow economy, which is not recorded in macro-economic terms, shrinking the perceived gross domestic product (GDP) and limiting formal exports, financial transactions, and technological investments. The formalization ceiling prevents micro-, small, and medium-sized enterprises (MSME) from fully participating in economies of scale, hindering their competitiveness in global markets. Informality also eats away at government capacity, reducing the tax base and segregating the population from its leadership.
Like food security or poverty reduction, informality is one of the major development issues of our time and should be addressed with comprehensive strategies and programs aimed at its root causes. Yet informality remains the domain of white paper reports and not of field based interventions, despite economic impact that it creates in developing nations. So why would an issue of such significance stay in the academic sphere while related issues like poverty are mainstreamed into development initiatives? We believe the reason is the image.
When you ask someone “what is poverty” an image jumps into their head. It’s the destitute farmer on a drought ridden plain standing outside a dilapidated home, or it’s the tattered rag picker squatted on a busy street in Dharavi. Ask the same about food insecurity or gender inequity and an image comes to mind. But, ask about informality and there’s no image, thus no story, no context, no response to drive action.
The Voiceless Majority photography project is aimed at providing an image and story on informality by exhibiting the experience and “face” of the informal sector. The project will display a collection of photographs of the lives and livelihoods of 6 informal sector workers from Guatemala. For each series audio recordings of the actual subjects will broadcast to provide a combination of “face” and “voice” that tells the story of an informal worker and thus personalizes “informality.”
Each story will become a blog post. I will update this blog post with links to each of the new posts: